Up the Shingle Shanty: July 3, 1851
We take it for granted that the Adirondack wilderness with its grand forests, mountains, lakes, and streams is a sublimely beautiful place, but for most of the colonial period up until the Civil War the Adirondacks were generally considered a hard, forbidding place full of unknown dangers, unfit for settlement. Then as the Industrial Revolution swept across America, a small group of landscape artists began to look at the wilderness with new eyes. Where others had seen only dismal forests, they saw awe-inspiring beauty. The paintings they created showed Americans for the first time that they had a unique wilderness heritage that deserved recognition and protection. In time, this group of American landscape painters would come to be known as the Hudson River School; named for the favorite locale of Thomas Cole and his talented student, Frederic E. Church. In his influential 1836 “ Essay on American Scenery,” Thomas Co le declared, “the most distinctive and perhaps the most impressive